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Ton de Leeuw : ウィキペディア英語版
Ton de Leeuw

Antonius Wilhelmus Adrianus de Leeuw (born Rotterdam, 16 November 1926; died Paris, 31 May 1996) was a Dutch composer. He occasionally experimented with microtonality.
==Life and career==
Taught by Olivier Messiaen and others, and influenced by Béla Bartók, Leeuw was a teacher at the University of Amsterdam and later professor of composition and electronic music at the Sweelinck Conservatory in Amsterdam from 1959 to 1986. For his notable students,
He studied ethnomusicology with Jaap Kunst between 1950 and 1954 〔Baker's (7th ed.)〕 and the encounter with the Dagar brothers and Drupad on his first visit to India in 1961 deepened a lifelong interest in "transculturation". He also visited Japan in the 1960s. This manifested itself in his work for Western instruments by the occasional use of microtonality, as in his String Quartet No. 2 (1964),〔Vincent McDermott, "Current Chronicle: The Netherlands", ''The Musical Quarterly'' 52, no. 4 (October 1966): 511–20; citation on 517–18.〕 as well as in compositional plans; ''Gending'' (1975) for Javanese gamelan is a rare foray into writing for non-western instruments.
He wrote three operas, all to his own libretti, including a television opera ''Alceste'' (1963, after Euripides), the ''De Droom'' ("the Dream", 1963), and finally ''Antigone'' (1989–1991, after Sophocles).

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